Western Living Magazine March 2019

Western Living Magazine March 2019

Western Living Magazine features a project by Form Collective. One Material, Two Directions The oversized island in this Vancouver kitchen needed a large light fixture to match, so a grand chandelier was custom fabricated by Karice Lighting from the same material as the minimalist hood vent. “Using a matching finish allowed the fixture to be a statement on its own, while still being complementary,” says Josephina Serra of Form Collective, who designed the space alongside colleague Lauren Webb. But while the lighting design is a true statement piece, the matching hood is actually intended to play a supporting role. “Though they’re both the same powder-coated metal, the idea was the hood fan would be understated in order for it to not compete with the stone backsplash,” Serra says.  And what a backsplash it is: lime-green onyx from Aeon Stone and Tile, a playful, modern take on the marble trend—definitely no wallflower. “We were lucky to have a client who wasn’t afraid of colour.”

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Western Living Magazine March 2019

Western Living Magazine features a project by Form Collective. One Material, Two Directions The oversized island in this Vancouver kitchen needed a large light fixture to match, so a grand chandelier was custom fabricated by Karice Lighting from the same material as the minimalist hood vent. “Using a matching finish allowed the fixture to be a statement on its own, while still being complementary,” says Josephina Serra of Form Collective, who designed the space alongside colleague Lauren Webb. But while the lighting design is a true statement piece, the matching hood is actually intended to play a supporting role. “Though they’re both the same powder-coated metal, the idea was the hood fan would be understated in order for it to not compete with the stone backsplash,” Serra says.  And what a backsplash it is: lime-green onyx from Aeon Stone and Tile, a playful, modern take on the marble trend—definitely no wallflower. “We were lucky to have a client who wasn’t afraid of colour.”

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